The Characters of Molières The Misanthrope Essay -- Molières Misanth

The Characters of Molires The misanthrope The characters in Molires The Misanthrope live on a world different from that of many of the playwrights different works we atomic number 18 viewing the actions of people at the genuinely top of the social fall apart of 17th-century France. For example, the foppish Acaste and Clitandre, who come into Climnes post in the second act, atomic number 18 marquesses, the second-highest rank one can fight back in the country. They can leave out most of the day with Climne, if they so choose, for their only remaining avocation at tap is to attend the coucher of Louis XIV, the ceremonial going-to-bed ceremony of the king, to which only the highest members of the court were invited to attend. The characters of The Misanthrope own estates, hold power, and argon immensely wealthy. They are non the bourgeois household of Tartuffe, they are not members of the upper-middle class--they are the court. Through Alceste, the misanthrope of the tit le, Molire mocks and attacks the behavior of the highest level of his lodge. scarce Alceste is no Tartuffe, censuring those about him, go giving the appearance of a puritan, localise apart from society. No, Alceste, himself an owner of estates, yearns to be accepted by the very society he condemns, and that was seen from the first in the costume which Molire wore when he vie Alceste, a costume that represents the latest fashion--expensive, tasteful, and stylish. We do not know a great deal about this costume from the script, other than it is adorned with green ribbons. We know what Alceste wore--at to the lowest degree in the first productions--from an ancestry of Molires effects, made after his death Item, some other box where one finds the costumes for the intromission of Le misanthrope consisting of breeches an... ... clothing a curved-brimmed hat, fashionable shoes, and luxuriously embroidered, highly fashionable justaucorps. It was (and is) an Alceste as insincer e as the society he condemns for hypocrisy, a supremely paradoxical creature, as David Whitton has called Alceste a fish which cannot anticipate water, nor live out of water. Works Cited Dock, Stephen V. accepted Costuming for Tartuffe and Le misanthrope. Approaches to Teaching Molires Tartuffe and separate Plays. Ed. James F. Gaines and Michael S. Koppisch. New York MLA, 1995. 117-36. Lawrenson, Tom. The Wearing o the cat valium Yet Another cheek at lHomme aux Rubans Verts. Molire Stage and Study. Essays in Honour of W. G. Moore. Ed. W. D. Howarth and Merlin Thomas. Oxford Clarendon, 1973. 163-69. Whitton, David. Molire Le Misanthrope. Glasgow U of Glasgow French and German Publications, 1991. The Characters of Molires The Misanthrope Essay -- Molires MisanthThe Characters of Molires The Misanthrope The characters in Molires The Misanthrope inhabit a world different from that of many of the playwrights other works we are viewing the actions of people at the very top of the social ladder of 17th-century France. For example, the foppish Acaste and Clitandre, who come into Climnes house in the second act, are marquesses, the second-highest rank one can hold in the country. They can spend most of the day with Climne, if they so choose, for their only remaining duty at court is to attend the coucher of Louis XIV, the formal going-to-bed ceremony of the king, to which only the highest members of the court were invited to attend. The characters of The Misanthrope own estates, hold power, and are immensely wealthy. They are not the bourgeois household of Tartuffe, they are not members of the upper-middle class--they are the court. Through Alceste, the misanthrope of the title, Molire mocks and attacks the behavior of the highest level of his society. But Alceste is no Tartuffe, censuring those about him, while giving the appearance of a puritan, set apart from society. No, Alceste, himself an owner of estates, yearns to be accepted by the very society he condemns, and that was seen from the first in the costume which Molire wore when he played Alceste, a costume that represents the latest fashion--expensive, tasteful, and stylish. We do not know much about this costume from the script, other than it is adorned with green ribbons. We know what Alceste wore--at least in the first productions--from an inventory of Molires effects, made after his death Item, another box where one finds the costumes for the presentation of Le misanthrope consisting of breeches an... ... wearing a curved-brimmed hat, fashionable shoes, and richly embroidered, highly fashionable justaucorps. It was (and is) an Alceste as hypocritical as the society he condemns for hypocrisy, a supremely paradoxical creature, as David Whitton has called Alceste a fish which cannot abide water, nor live out of water. Works Cited Dock, Stephen V. Authentic Costuming for Tartuffe and Le misanthrope. Approaches to Teaching Molires Tartuffe and Other Plays. Ed. Jam es F. Gaines and Michael S. Koppisch. New York MLA, 1995. 117-36. Lawrenson, Tom. The Wearing o the Green Yet Another Look at lHomme aux Rubans Verts. Molire Stage and Study. Essays in Honour of W. G. Moore. Ed. W. D. Howarth and Merlin Thomas. Oxford Clarendon, 1973. 163-69. Whitton, David. Molire Le Misanthrope. Glasgow U of Glasgow French and German Publications, 1991.